Lucy Lippard [videorecording]. [1976 or 1977]

ArchivalResource

Lucy Lippard [videorecording]. [1976 or 1977]

This video documents a lecture given by Lucy Lippard at the Los Angeles Woman's Building.

3 videoreels : sd., b&w ; 1/2 in. original.3 videocassettes (Betacam SP) : sd., b&w ; 1/2 in. original.1 videocassette 1 (Digital Betacam) : sd., b&w ; 1/2 in. copy master.1 videodisc 1 (DVD) : sd., b&w ; 4 3/4 in. use copy.

Information

SNAC Resource ID: 8324811

Getty Research Institute

Related Entities

There are 3 Entities related to this resource.

Woman's Building (Los Angeles, Calif.)

http://n2t.net/ark:/99166/w6xb31gg (corporateBody)

In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of th...

Lippard, Lucy R., 1937-

http://n2t.net/ark:/99166/w68t5czk (person)

Lucy Lippard (born 1937 in New York City) is an American art critic and curator. An early champion of conceptual art, feminist artists, and artists of color, Lippard has authored numerous books on art and art theory. She is a co-founder of Printed Matter, an art book and artist's book shop in New York City, and an original member of the Heresies Collective, a group of feminist artists and critics responsible for the journal Heresies: A Feminist Publication on Art and Politics. Lippard was educat...

Long Beach museum of art

http://n2t.net/ark:/99166/w62v6njc (corporateBody)

The Long Beach Museum of Art (LBMA) was among the first to focus on video as an artistic medium, spurring similar efforts throughout the United States. Beginning in 1974 the museum began collecting and exhibiting video art, later also actively encouraging the development of video art by co-producing projects and offering editing facilities to artists in its Video Annex. The museum's innovative approaches to the display of video art included several experiments with broadcast and cable television...